GWANGJU, South Korea — One warm February morning, the curator Defne Ayas bounded up a steep, sylvan path toward a cemetery in this city of 1.5 million as she discussed shamanic practices, resistance movements and other aspects of the area’s history that are themes in the art exhibition she was finalizing nearby.

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How Do You Stage a Global Art Show Now? In South Korea, Curators Press On.

Andrew Russeth