Inyoung Kim pays attention to the state of the image in the conversion process, causing material transformation across media such as painting and printing, sculpture, and installation, as well as online and offline. Recently, She explored the properties of images shown in digital environments and observed aspects of them being converted into real-world materials. As the way digital mediates images becomes more sophisticated, we get easily immersed in it, the artist studies the methodologies that enable awareness of “difference” causing heterogeneity or dissonance, in order to break the immersion in the media. The series of work, entitled “Re-aliasing” is an attempt to produce the material difference again, as appose to eliminating the difference that exists in the natural world in the digitization process.