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17 Nov 2022

SQUATTER SETTLEMENTS IN SPACE

A film’s pre-production process is somewhat similar to its post-production stage in that it pre-visualizes a film that is yet to be seen and reconstructs preceding references. The Squatter Settlements in Space is a fictional film that has not yet been made. It underscores the imagination of the sci-fi genre, which purposefully redistributes the power that distinguishes the past and present. The pitch deck document, a critical project by artist Jungwoo Lee and curator and producer Shinjae Kim, outlines the film’s motif, background, atmosphere, sound, and cast, while previewing the multi-dimensional sequence of the latent future in light of the extraterrestrials of the past and present. The film remains an unrealized possibility and probes what kind of future it will draw closer.

by Shinjae Kim
  • 31 Oct 2022

    Ball and Hand 1)

    What would it be like if our dreams had a shape? The question that occurred to me first when seeing Sodam Lim’s painting was about the shape.. 

    by Jihyun Shin 
  • 27 Oct 2022

    UNAPPROACHABLE LAND

    “There would be nothing more appropriate than waste when contemplating something that is not easily seized.” -Brian Thill, Waste “There is.. 

    by Hanbum Lee  
  • 27 Oct 2022

    THE PORTRAIT OF A STRANGE OBJE..

    Artist Dohee Yoo’s work mainly consists of black-and-white photographs that include ‘a strange black object.’ The object is ‘an abandoned ru.. 

    by Sung-Ho KIM 
  • 27 Oct 2022

    THROUGH THE THINGS THAT PAINTI..

    In Suhyung Song’s studio there were a range of paintings with diverse forms and themes, and so it did not look like they were painted by a s.. 

    by Taehyun Kwon 
  • 24 Oct 2022

    PAINTING-ANOTHER KIND OF NATUR..

    Jinyong Beom has mainly focuses on surrounding landscapes he has experienced himself. Beom’s work has been centered on this subject since he.. 

    by Lee Eunjoo 
  • 24 Oct 2022

    Chaeeun Rhee: Recording Time-S..

    Order and chaos, dissensus and unity, significance and insignificance, existence and absence of context, reality and surreality, etc.?such c.. 

    by Jintaeg Jang 
  • 20 Oct 2022

    The Technology of Faith and th..

    In the work of Youngzoo Im, faith is not something deconstructed by technology, nor is technology fully understood through faith. The former.. 

    by Jihan Jang  
  • 20 Oct 2022

    Home appliances in the smart w..

    Artist Jaehee Jung, who majored in sculpture in college, explores the possibilities of non-physical video works such as animations and perfo.. 

    by YANG, Ji Yoon 
  • 17 Oct 2022

    Balance Play: Mijin Hyun’s Art..

    Mijin Hyun’s Klangwippe (2018) consists of a few seesaws placed in an open space. Made of wood, a commonplace material, and placed on a gras.. 

    by Kim Namin 
  • 17 Oct 2022

    Sensible Images, Objects that ..

    There are some objects here?icons of smiley faces or slightly frowny faces, appetizing fruits and bright plants, wall ornaments and patterns.. 

    by KIM, Sung woo  
  • 14 Oct 2022

    The Code of Nam June Paik, tec..

    The dark room of the camera obscura, once used to draw objects with light, is used today as a space where media works are installed. In earl.. 

    by Lee Eunjoo 
  • 14 Oct 2022

    The Curtain Call Moment: Jungy..

    From moment to moment in our daily lives, we play the role of mediator between ourselves, objects, and our surroundings. For the most part, .. 

    by Sungah Serena Choo 
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