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17 Nov 2022

SQUATTER SETTLEMENTS IN SPACE

A film’s pre-production process is somewhat similar to its post-production stage in that it pre-visualizes a film that is yet to be seen and reconstructs preceding references. The Squatter Settlements in Space is a fictional film that has not yet been made. It underscores the imagination of the sci-fi genre, which purposefully redistributes the power that distinguishes the past and present. The pitch deck document, a critical project by artist Jungwoo Lee and curator and producer Shinjae Kim, outlines the film’s motif, background, atmosphere, sound, and cast, while previewing the multi-dimensional sequence of the latent future in light of the extraterrestrials of the past and present. The film remains an unrealized possibility and probes what kind of future it will draw closer.

by Shinjae Kim
  • 17 Nov 2022

    SQUATTER SETTLEMENTS IN SPACE

    A film’s pre-production process is somewhat similar to its post-production stage in that it pre-visualizes a film that is yet to be seen and.. 

    by Shinjae Kim  
  • 17 Nov 2022

    STRAIGHT CHANGE AND ROTATION

    Haeju: I heard that you’re working on Swinging 2021: Relaxed Hurricane, which is connected to your solo exhibition from 2018, Swinging. Let’.. 

    by Haeju Kim 
  • 17 Nov 2022

    SEISMOGRAPHS, THE SHAKIEST RES..

    “Seismographs” is a concept that artist Jinjoo Kim employs in her recent work. It was also the title of her solo exhibition _Seismographs_ (.. 

    by KIM Si-seup 
  • 14 Nov 2022

    A STORY WITHOUT AN OWNER

    About ten years ago, I hung out with people whose lives I hardly knew. They would suddenly show up at my work or appear at my favorite cafe .. 

    by Suzy Park  
  • 14 Nov 2022

    A CRIMINAL RESTING HIS FOOT ON..

    Again, I have to write. Writing is a natural duty of a person working as a critic. But I am writing the complicated thoughts of mine here at.. 

    by Moon Junghyun 
  • 14 Nov 2022

    A CIRCLE INSIDE THE CIRCLE BY ..

    23 years have passed since Haksoon Hong began to keep records of circles in 1998, and he is still working on it. Subtle differences in form .. 

    by Sujung Oh 
  • 10 Nov 2022

    A MESSAGE TO THE SPECTATOR (OF..

    Suji Han began to exchange texts ? like in a word chain game ? with the Brazilian artist Daniela Avelar, whom she had met at a residency in .. 

    by Hyun Suk Seo 
  • 10 Nov 2022

    JUNGHYUN KIM X JINSHIL LEE: ON..

    Frustrated by the huge pile of papers that finally collapsed and the pressure of deadlines after long procrastination (including this one), .. 

    by Junghyun KIM X Jinsil LEE 
  • 10 Nov 2022

    SEWING AND AFFECTS

    Interpreting art and taste in connection with a specific gender would be liable to criticism that it is anachronistic today. Particularly wh.. 

    by Jung Hyun  
  • 08 Nov 2022

    Abstraction and Illusion: An E..

    “There are people who call me 'the pipe painter.' It is not a label I welcome nor dislike. The name is simply a reference to the illusory ob.. 

    by Lev AAN 
  • 08 Nov 2022

    SCULPTURE IS A SHELL, THE SURF..

    Paper is thin and fragile. To make it stand on its own, the hands of the maker need to make a design sketch. The layout should identify whic.. 

    by Jiwon Yu  
  • 31 Oct 2022

    A PODCAST CONVERSATION BETWEEN..

    2021 SeMA NANJI RESIDENCY Open Studio OFF-SITE questions the unique spatial qualities of a residency. The question seeks a perspective that .. 

    by Hyunjin Shin 
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