Changyoung Kim’s work appears to be a form of painting, but the process of creating it is of the sculpture or of an object, as it involves continuously reconfiguring the painted surface. The result is an image of an object that fades through the passage of time, one that cannot be created by just applying paint on the surface. Such image attempts to ambiguously slip through the light and the shadow, between the lights, between the light and the color, between colors, and between images. Images that cannot be classified as abstract or figurative are repeatedly created. (extract from Noam Kim’s critique)