Ink on Paper II as an exhibition launches forward from the human figure but gives it little pause thereafter. The exhibition moves on to formative explorations of what the inks can realize. In addition to his visual works, Donghyun Son expresses text-characters in ink as living organisms.

In this exhibition, Son casts a broad question of how ink can be used; from traditional East Asian ink to calligraphy ink and even acrylic ink, he explores and experiments.

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